Too Curious by Edward J. Goodman, 1887.
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Hospital for Incurables, Toronto, 1880′s
International baking powder. Manufactured by Queen City Chemical Co., Buffalo, N.Y., 1885.
State Industrial School for Girls, Middletown, Conn. [4 images]: 1. Expostulating with a vicious girl; 2. Graduate; 3. Learning to cook; 4. Making paper boxes
Illus. in: Frank Leslie’s illustrated newspaper, vol. 53, no. 1364 (1881 Nov. 19), p. 197.

Girls, boys and men, polishing and wrapping, working together: morals in glass factory are proverbially bad. Union Stopper Co., Morgantown, W. Va. Several very young girls and many small boys working here. Location: Morgantown, West Virginia.
Helen McCloy, 1940′s mystery writer.
“One Exciting Night” (1922) is a mystery melodrama of “The Bat” type, in which weird things continually happen unexpectedly.”
Picture Play Magazine, 1922, image. Lobby poster from wiki.
“A young orphan girl, courted by an unpleasant older wealthy man who has a hold over her adoptive mother, falls in love with a young stranger at a party. Odd noises begin to be heard as a group of bootleggers clandestinely try to get away with their hidden loot. One of them is killed and the young man is suspected of being the killer.” IMDb
Edward Gorey drawings animated by Derek Lamb for the PBS series ‘Mystery’.
~ Margaret Millar, Beyond This Point Are Monsters

Brand new Margaret Millar collection out. Very excited to see these novels together in one book!
“FROM THE PUBLISHER
Four legendary novels of suspense from Mystery Writers of America Grandmaster and Los Angeles Times Woman of the Year, Margaret Millar The four novels in this collection straddle one of the most tumultuous decades of the 20th century and display Millar’s uncanny ability to craft truly disturbing suspense fiction while still addressing social issues. Complex discussions of feminism, child abuse, and racism blend seamlessly into four of the most chilling tales ever told. A STRANGER IN MY GRAVE (1960) A young housewife named Daisy Harker’s world is upended when a blank spot in her memory and a reoccurring nightmare link her to an unsolved murder and a decades-old conspiracy. HOW LIKE AN ANGEL (1962) California cultists, duplicitous damsels in distress, and dangerously high stakes conspire against Joe Quinn, a private eye who is beginning to feel more like a knight-errant. THE FIEND (1964) A young girl is at risk this tense and disturbing page-turner that reveals a web of domestic abuse among a disparate cast of middle class Americans. BEYOND THIS POINT ARE MONSTERS (1970) The investigation into the disappearance of a wealthy California rancher brings to light the secrets of a whole community this a haunting and complex masterpiece of suspense.”
‘Tea Time’, Edward Gorey drawings animated by Derek Lamb for the opening credits on “Mystery” on PBS television.
Happy Birthday, Ruth Rose! (January 16, 1891) the actress and screenwriter who made King Kong into the international sensation that it became. Making her tag “It Was Beauty That Killed The Beast”, into an enduring catchphrase.

Otis Skinner and Ruth Rose in the production of Pietro at the Criterion Theater, page 29 of the February 1920 Shadowland.





